Robinton Hobbs
Master of Melodies
Hi, I'm Robinton Hobbs, an LA-based musical artist, composer, music editor, and producer. I spent many years playing in rock bands and producing basement punk records, but for the last decade I've been working primarily in the world of music for media in Los Angeles, and worldwide.
I have a passion for storytelling, and enjoy bringing that sensibility to my musical profession. Something my clients most commonly say is how much they enjoy the process of working with me and how my aesthetically tuned choices have elevated their project to meet their vision.
As the COO and Co-Founder of Joy Music House, I have produced scores including Emile Mosseri’s Oscar-nominated score for Minari and served as the music editor for the Netflix docuseries Untold. My recent works include the soundtracks for the podcast The Witch and Other Tales of the American Gothic.
In my free time, I enjoy language creation, medieval history, and Dungeons & Dragons.
February Mountain
A Musical Journey Through Time & Memory
At its heart, February Mountain is a cinematic folk-punk journey, blending haunting acoustic textures, driving rhythms, and moments of quiet awe. The album is steeped in poetic nostalgia, adventure, and existential wonder, moving through landscapes both real and imagined. You’ll hear the hush of ancient forests, the roar of time-worn ruins, and the crackling energy of stories passed down through generations.
A Sound Both Timeless & Raw
The sound of February Mountain is expansive but deeply intimate. Fingerpicked guitars and earthy percussion lay the foundation, while sweeping strings, distant voices, and eerie, reverb-soaked atmospheres push the songs into something vast and cinematic.
There’s a grit to the album—an edge that leans into punk’s raw urgency—yet it never loses its folk heart. The melodies feel etched in stone, like echoes from another time, while the arrangements breathe with organic life, shifting between delicate reverence and stormy intensity.